One look, from the homepage to the coffee mug

WebsiteLogoPrintEmail

sph.unc.edu
The UNC Gillings homepage, opening on the line 'Welcome to the No. 1 public school of public health, and No. 2 overall' and scrolling down into the school's mission pillars

The Gillings School is the No. 1 public school of public health in the United States, and tied for No. 2 overall. It runs more than 50 academic programs across eight departments, and works in all 100 North Carolina counties and over 35 countries. Their marketing team brought me in as their ongoing design partner.

A school that size publishes from every direction at once: departments, centers and programs, each with its own flyer and its own email. The work was one system that holds across all of it, from the homepage a prospective student lands on to the mug she picks up at a recruiting fair. Gillings is the deepest of the university accounts I carry.

RoleFront-end design and build, logo, print, email
Academic programsMore than 50
ReachAll 100 NC counties, over 35 countries

I designed and built the front end of this site and handed it to the school's own team to put live on their platform. The mark, the print and the email I designed as their ongoing design partner.

So grateful for Adrial’s creativity, excellent design, and outstanding customer service. He is masterful and an essential part of our team.

Barbara K. Rimer, DrPHDean Emerita, UNC Gillings School of Global Public Health

The pitch

Four pillars carry the whole mission

Education, research, practice, and local and global health. Each gets a photograph, a few sentences anyone outside the field would follow, and a way through to the work behind it. You can arrive knowing nothing about the school and say what it is for before the second screen.

The mission pillars section on navy: Education, Research, Practice, and Local and Global Health, each with a photograph and a short description

In the news

One story leads, the rest wait their turn

The lead story gets the room, with the outlet credited underneath it. Two more sit alongside, each carrying the tag it was filed under. Eight departments publishing at once means somebody has to decide what leads this week, and a reader arrives at one story instead of a queue.

The client edits this themselves, in the CMS

The In the news section: a lead story on 2027 health insurance premiums beside two smaller items tagged Biostatistics news and Alumni news

The people

Named people, in their own words

The Pivot runs short profiles of students, alumni and faculty: one photograph, one line about what they do, one story to read. It is the part of the page anyone deciding where to apply actually reads, because it answers the question they came with, which is who else is here. The ranking story sits under it, full width.

The client edits this themselves, in the CMS

The Meet our community section, with The Pivot profiles of Amanda Kwong, Shoko Kashiwagi, Ameena Batada and Julia Bourg, above the featured story about the school's ranking

Eight ways in

Every department gets the same front page

Biostatistics through to Public Health Leadership and Practice: eight cards, each with a photograph and a plain description of what that field studies. Most people arrive for exactly one of them. They find it at a glance, and leave knowing the other seven are there.

The Our departments grid: eight cards from Biostatistics to Public Health Leadership and Practice, each with a photograph and a description

The close

Four values, then one plain ask

Student success, community well-being, innovation and health equity, each with an icon and a single sentence. Then the page stops describing and asks: degrees, or apply. By this point a reader already knows whether they belong here, and both buttons are waiting where they finish.

The Our values section with four icons, above the blue band reading Your future starts here with Degrees and Apply buttons

The mark

A tagline, drawn for every shape it lands on

“We’re on it!” is the school's own tagline. I drew it in their brand typeface with the globe standing in for the o, so it arrives looking like the rest of what they publish, not like a separate thing. Then the same five words three ways: the horizontal line, a stacked pair for a cap front or the side of a mug, and a circular badge for a back panel or an embroidered patch. Each shape gets a drawing made for it. Getting the mark onto as much swag as possible was the goal, and that only works if there is a version for every shape it lands on.

The We’re on it wordmark in both lockups, the horizontal line above the stacked pair, each with a globe inside the o, beside a Carolina blue t-shirt, two black caps and two enamel mugs carrying the stacked version, with the circular badge on a cap's back panel and the base of a mug. The two marks are labelled horizontal lockup and vertical lockup

A second mark

An initiative with an identity of its own

Gillings asked me to brand their inclusive excellence initiative so it could travel on its own. The lockup sets the two words into one block with the US of inclusive pulled forward, and reverses cleanly onto the school's navy. One mark, two colorways, and nothing to redraw when it moves from a poster to a slide.

The Inclusive Excellence lockup in navy and Carolina blue, and the same lockup reversed in white on a navy block

The poster

A poster that asks for something

Photographs cascade down the top half of the sheet, then the headline lands and the copy does the asking. It carries the initiative's mark and the school's together, with one short link at the foot. A reader who agrees with it has somewhere to go in the same glance.

The Inclusive excellence starts with you poster: a cascade of photographs on Carolina blue above the headline, body copy and a short link at the foot

Recruiting

The questions a recruiter answers all day

A recruiting booklet built from the marketing team's own messages and photographs: the core curriculum, concentrations, electives, student stories, career outcomes. A recruiter hands it over at a fair and it answers the questions she would otherwise answer one at a time all afternoon. The same pages print and read on a screen.

The booklet cover reading We’re Gillings. We’re on it! in front of eight interior pages covering the MPH core, concentrations, student stories and career outcomes

Everywhere else

One system, every surface they publish on

Event flyers, a lecture series, the school's Healthy Impact sheet, web banner ads, an organizational chart, and a printed wall display. Different audiences, different formats, months apart, and every one of them arrives looking like the same school. See three of them in a year and you have been told the same thing three times. The largest of those surfaces is the school's magazine, Carolina Public Health and the Impact Report, which is its own project: two publications a year, designed for print and built for the web in the same pass.

Printed promotions laid out together: the We’re Gillings wall display, a seminar flyer, a lecture series flyer, the Healthy Impact sheet, a web banner ad and an organizational chart

The inbox

Email that looks like the rest of the school

FrontLines goes out from the school and a second template serves the departments, both built on the brand I had already made for the print work. They had been sending on an older setup that looked nothing like anything else they published. Now a reader who opens one knows where it came from in the first inch.

Two email templates side by side: the FrontLines newsletter with its masthead and lead story, and a Health Policy and Management departmental send

What holds it together

Built to be handed over

The front end was designed and built for the school's own team to put live on their own platform, which is a different job from shipping it myself. It had to be clear enough to hand across and keep running without me.

One tagline, three drawings

A horizontal line, a stacked pair and a circle. A banner, a cap front and a back panel are three different shapes, so each has a version drawn for it and nobody has to stretch the one file they were sent.

Carrying it through every piece

A mark, a typeface and a palette only hold a school together if somebody takes them through every flyer, ad, booklet and email. That ongoing application is what the partnership actually was.

The booklet ships two ways

The recruiting booklet was made as a printed piece and as a digital edition from the same pages, so a recruiter can hand one over at a fair and email the same thing to somebody who could not be there.

A newer way to send

Part of the email work was helping them off an older sending setup and onto something their own team could use, which is the difference between a template that looks right once and one they can keep sending.

Adrial is my go-to designer for anything my business needs … which is why I have used him for three different companies over the last 20+ years.

Craig WoodCEO, Definian

Your great work deserves to look great.

Twenty-five minutes. Tell me what you're trying to do and who needs to see it, and I'll tell you what I'd build first and roughly what it costs.